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Designing the Process: Strata of Decomposition | Yong Ju Lee Architecture

written by
Yong Ju Lee
photographed by
Yong Ju Lee Architecture (unless otherwise indicated)
materials provided by
Yong Ju Lee Architecture
edited by
Park Jiyoun
background

SPACE November 2025 (No. 696)

 

 

 

Decomposition Farm_Stairway (2022) was an experimental pavilion combining construction waste – particularly styrofoam, which takes 500 years to decompose – with industrial robotics and a mealworm ecology. Within the structure, thermally cut by a robotic arm, mealworms consumed styrofoam and produced harmless excreta that became a growth base for moss and plants, forming a system where the artificial and the natural coexisted in a cycle. However, the necessity of purchasing new styrofoam for fabrication, contrary to the original intentions, revealed a major limitation of the project. To address this issue, a subsequent experiment titled Strata of Decomposition (2025) was initiated. 

 

 

 

Workflow of Strata of Decomposition 

 

This work begins by 3D-scanning large piles of discarded styrofoam that have been left for long periods in urban waste disposal sites, converting them into digital data in their original form. In the 3D tool, parts of these forms were cut away and their surfaces reshaped with ridges and grooves, designed as pathways and shelters for mealworms to move, inhabit, and feed. The fully digitised form was precisely machined by industrial robotic arm and combined with forest planting patterns to create a hybrid structure providing the optimal habitat for mealworms.
When the mealworms and their food are placed together, the structure gradually decomposes. As the mealworms feed on the styrofoam, they grow, molt, and complete their life cycle as adult insects. This process visualises an instance in which material erosion and biological cycle occur simultaneously. Strata of Decomposition goes beyond simple insect cultivation or waste recycling—it transforms the entire life cycle of material, from origin to disappearance, into an architectural process. Within this structure, the opposing notions of ¡®decomposition¡¯ and ¡®stratification¡¯, ¡®fabrication¡¯ and ¡®dismantling¡¯, coexist, creating a new landscape in which the artificial and the natural infiltrate and merge with one another.​

 

 

 

 

 

 

 

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You can see more information on the SPACE No. November (2025).


Yong Ju Lee
Yong Ju Lee is an architect who pursues experimentation across all layers of space. His works, spanning diverse scales and media, seek to provoke and inspire everyday life. He has exhibited at the National Museum of Modern and Contemporary Art, Korea (MMCA), Museum of Modern Art (MoMA), and the Venice Biennale, and received the Korea Public Architecture Award, iF Design Award, and Architectural Record¡¯s Design Vanguard. He studied architecture at Yonsei University and Columbia University, and is currently an assistant professor at Seoul National University of Science and Technology, leading the Robotic Fabrication Studio. He published Constructing Thought (2024).

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